Sunday, May 6, 2012

The Streets

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Contributed by Sana Ahmed Khan 


Karachi is known as a city that never sleeps but the moment the Sun breaks the dusk, the rays bring along a dead silence that spreads across the city. The winds become the carriers of last night’s bustle and the streets become eerie. The entire city seems ghostly and this is when the silence is the loudest.

As the morning progresses, the blanket of the stillness is gradually removed, allowing the city to wake up to the sunlight. All the sounds, chirping of the birds, rattling of the cars, cries of the children merge into one rhythm of life. This is the only time when all the classes form a bond; they all become the slaves of working hours.

Walking around the streets, you can see a mother sending her children off to school, a husband bidding goodbye to his wife, a milkman ringing a door bell and people chasing vans and buses. You can see people running in suits with a briefcase, reflecting their corporate slavery. There is a race against time and it seems as if the entire traffic has the same destination. Honking horns and arguments among constables and drivers just add to the morning extravaganza.

In contrast to the busy city life, there are some people who live through their mornings. You find people sitting in local cafes, commonly known as ‘dhabbas’, enjoying their morning breakfast of hot pancakes, tea and eggs. The aroma of this mouthwatering food spreads through the neighborhood and calls out to people.

Sometimes, even in the brightest of mornings, you do bump into the misery of this city. You would find the homeless and drug addicts lying at the corner of the streets, wrapped up in their own thoughts.  They are so indulged in themselves that they don’t even notice the mornings and the nights that pass them by. Life becomes a one big torturing moment for them but even in this pain, they find their joy.

Every morning, all the shades of city life are brought together in a palette and every color complements the other, adding to the beauty of the city. Even the social issues and violent dramas of the previous night are put to sleep when the Sun arises, bringing new hope and a new beginning to the new ending. 

 

 

What is 'Chalk it Down' all about?

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Friday, May 4, 2012

From Pakistan with love...

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Contributed by Rabie Haider

In an alternate universe, S. Hussein sends a letter to A.A. Zardari, inquiring if he should consider imitating the version of democracy practiced in the Nation.

_____________________________________________________________________

Dear S. Hussein,
Let’s face it, you and I are both here for the money. Our practices may be different on the surface; I run a democratic country and you practice dictatorship, but deep down inside, we are both the same. Our motives are the same, we share the same desires, we both are materialistic and we both are highly talented at what we do.
Dictatorship is a dying trend and democracy is the latest global fad/trend. I guarantee you that unless you change some fundamental practices of your government; you will not remain in power much longer. The present Super Power practices a farce of a governmental order and in order to ensure its continued existence, it cannot allow any of its competing ideologies to remain intact.
Nevertheless, I have good news for you. Democracy is a simple process. All that you have to do is to step down from your post temporarily and announce free elections. Promise the masses their basic necessities (food, clothing and housing) and they will rally behind you like sheep behind a shepherd. The next step is a little complicated, but nothing hard to pull off. You just have to inform your political adversaries that you will rig the voting process in your favor and in return they can have anything they want (within reasonable limits of course) once you are in power again. Please ensure that anyone who disagrees should become involved in a little “accident” somewhere down the line. Lastly, promise your fellow politicians the same positions they currently have (with new titles of course).
You may question; what of the Super Power? The answer is, once again, simple. Promise them a few of your oil fields and you will have their full support (and funding).
You have my and the Nations full support. We will be with you every step down the road.

Yours Sincerely,

A.A. Zardari
President of the Nation

Thursday, May 3, 2012

Empowerment

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Contributed by Ahsan Asif

I write this post after just seeing another one of Telenor’s ‘Khamoshi ka boycott’ commercial, the one in which the girl starts screaming in the middle of the street and the ‘gundas’ get a message from the society that because of their actions, society is falling into disrepute. Apart from finding this ad hilariously naïve, I fail to register any depth in this and other commercials that are aimed at ‘liberating’ the youth. Telenor wants to liberate the youth from injustice, Jazz liberates the youth through cheap calling rates. Sprite offers solutions for the youth’s problems in its ‘University of Freshology’ series. It seems that the ‘youth’ has replaced ‘customers’ at the bottom (or top, as you see it) of any corporation’s hierarchy. However, instead of actually helping this nation’s youth, companies and advertisers have made them prisoners to the oldest and most important concept in economics: consumption.

But what lead to the emergence of this new priority? I have so far identified only one factor, an idea that was intended for a lot of good, but has now commercialized into one of Pakistan’s biggest advertisement scams: youth empowerment programs. In the previous decade, we have seen a meteoric rise in the number of events that aim at youth empowerment and personal growth. Institutes like the IBA, LUMS, SZABIST, CBM, all had identified the potential these programs had, and this led to the creation of YLES (at LUMS) AIMS, IBLC, etc (at IBA) and the emergence of MUNs (Model United Nations) at almost every reputable institute. These programs provided the youth with a viable platform to showcase their talents, get valuable experience and exposure, and deal with situations they would face in their professional lives.

TV channels and companies, however, saw this as a feasible business opportunity. They then took the concept and twisted it until it suited their own needs. The confident, mature and conscious youth these programs intended to create were then turned into a liberated, careless bunch of spoiled brats whose daily mantra was to consume. Consume cell phone subscriptions, consume soft drinks and consume *product name here*, just because they wanted to. They were liberated to consume. And that is empowerment, isn’t it? The right to consume commodities, maximize utility and be happy?

No. Empowerment doesn’t mean just consumption. It defines a state much more powerful than that. True empowerment is when we become mature enough to stand up for what is right. It involves enlightenment as to how things are and how they should be. True empowerment is when we are conscious of our actions, and the state of those who are less fortunate. True empowerment instills in us a drive to make the world an inclusive, sustainable place for ourselves and future generations.

The next time you see an ad which aims at empowering you (by making you buy a product), ask yourself whether it really does empower you. Truly empowered people, and I talk here of people our age, don’t get fooled easily, and it’s gonna take a lot more than a couple of lazy snobs trying to be cool on the telly to make them believe in this pseudo empowerment.

Tuesday, February 14, 2012

V for Veena

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Contributed by Salman Ali Khan


Veena Malik sure knows how to stay in the news. Be it through her stints in the reality TV show Big Boss, her bold photo shoot for Indian magazine FHM or for any other scandal that she's gone through throughout her career, this girl sure knows how to stay in the news all the time.
This time around she was in the news for intentionally hurting another cast member, Vedita Pratap Singh, in a fight sequence for the movie 'Mumbai 125km'. In the scene involving the two, Veena had to pull Vedita by the neck and hit her head on an iron rod. Vedita accused Veena of intentionally banging her head hard against the iron rod that resulted in a forehead injury. As was expected Veena Malik denied these claims and refused to have overacted in the scene. Yes Veena, we all believe you. You didn't do the photo shoot either, did you?